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This song came on Pandora. It’s sad. ._.

Lyrics to Broken Chair :

You breathe, you learn, you lose.
You take, you break, you choose.
And as, you learn, and cry.
You do, your best, and try.

And as, the days, go by.
It makes you, wonder why.
You try so hard, so hard.
To mend what’s bound to fall apart

Ooh maybe it’s time
To let it go
Ooh maybe it’s time
For taking it slow

Ooh maybe it’s time, time, time
For anything at all
Time, time, time, to let it all fall
Where it may


And as, the world, goes on.
You try, to walk, and sing along.
And hope, some things, will stay.
And every tune that you play.

Ooh maybe it’s time
To let it go
Ooh maybe it’s time
For taking it slow

Ooh maybe it’s time, time, time
For anything at all
Time, time, time, to let it all fall
Where it may
Ooh…
Ooh…

And as, your life, goes on.
You deal with, what comes along.
Some friends, they come, and stay.
Some leave and, go their way.

Ooh…
Ooh…
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(Source: degaldo, via luxetoujours)

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(Source: jeluong, via askingavenged)

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sculpture-center:

Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production. 

sculpture-center:

Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.

RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production. 

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quote

"But you can’t get away from yourself. You can’t decide not to see yourself anymore. You can’t decide to turn off the noise in your head."
Jay Asher, Thirteen Reasons Why (via fleshscars)

(Source: word-collector, via mis0neism)